![]() ![]() Seriously, the Pocket 6K and Pocket 6K Pro punch way above their weight class. To be frank, the image quality of the Pocket 6K is incredible. The best part is the camera knows when timecode is being fed into those inputs, takes the timecode jam, and still allows you to record two clean channels of audio using the remaining available audio inputs. ![]() Adjusting audio levels is as simple as tapping the audio meters on either camera’s large, user-friendly touch screen.īoth cameras can also take timecode via their 3.5mm microphone jack or mini XLR input. Both cameras can supply Phantom Power and can accept line or mic level inputs.Īdditionally, both cameras have 3.5mm headphone and microphone jacks as well as two internal microphones each. ![]() Converting Mini XLR to the more common XLR is as easy as purchasing an adapter. The Pocket 6K and Pocket 6K Pro make recording audio a breeze.Īs I mentioned earlier, the Pocket 6K sports a single mini XLR audio input while the Pocket 6K Pro has two mini XLR audio inputs. For years, recording audio into small cameras has been a source of frustration for cinematographers, directors, producers, editors, clients and sound recordists alike. ![]()
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